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This thesis examines the Satanic cult in horror film – historically and in contemporary horror films. A quantitative analysis of horror films with themes of Satanism and Satanic cults is presented, in which three particular upswings in the themes are seen – one in the 1970s, one in the late 1980s and early 1990s, as well as one from the mid 2010s and onwards. In the thesis’ second part, The Conjur
