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Emanuel Swedenborg and the covert enlightenment
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The undamped natural vibrations of a constrained linear structure are given by the solutions to a generalized eigenvalue problem derived from the equations of motion for the constrained system involving Lagrangian multipliers. The eigenvalue problem derived is defined by the mass matrix of the unconstrained structure and a non-symmetric and singular stiffness matrix for the constrained system. The
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Shortly before Christmas 2012, in a Beijing flea market and at a price, I was offered a cache of more than two thousand moth-eaten surveillance (“stake-out”) logs from the early 1950s emanating with the Bureau of Public Security in the city of Harbin, Manchuria. Unable to figure out what to do with them, I turned the offer down. Only later did it dawn on the historian in me that the logs just migh
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Aphrodite is the divine image in Western civilization of love and fertility. She is the eternal beauty of classical Greece - but she has a wide-ranging history. On the one hand giver of wealth and abundance - on the other linked with violence and war. Aphrodite appeared on Cyprus during the Bronze Age. Protectress of copper, her cult spread all over Europe. In Scandinavia she was called Nerthus. B
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This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays
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The present paper is a study of one impersonator and one of his voice imitations. The aim of the study was to investigate how he changes his own voice and speech behavior in order to get close to the target speaker’s. A comparison is made between three recordings of the same text material: the target speaker, the voice imitation and the impersonator’s own voice and dialect. The results presented i