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Laila Lalami’s novel The Moor’s Account reclaims the erased historical voice of the Moorish slave Estebanico, one of the first Arab Africans on the American continent in the 1500s. While Lalami explicitly positions her novel as a postcolonial revision of Cabeza de Vaca’s colonial report on the fate of Estebanico, this essay argues that a significant part of the novel’s literary resistance to Arab
