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After having soared to success for inclusivity, editing, and storytelling at the Oscars 2023, the thesis aims at renditioning a postfeminist critique of the popular culture text, Everything Everywhere All At Once (2022) by arguing for the existence and sustenance of, what I call, the Blame Your Mama trope in the film. This thesis examines the Blame Your Mama trope in the film as an underlying mech
