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This article discusses how state-organized, memory-cultural production drawing on religious signifiers contributes to a sacralization of Turkish public memory institutions and public space. This reinforces an Islamic-nationalist imagination of contemporary Turkey. The article explores state-led, disciplinary interventions in museal space (the Sacred Trusts exhibition of relics at Topkapı Palace MuThis article discusses how state-organized, memory-cultural production drawing on religious signifiers contributes to a sacralization of Turkish public memory institutions and public space. This reinforces an Islamic-nationalist imagination of contemporary Turkey. The article explores state-led, disciplinary interventions in museal space (the Sacred Trusts exhibition of relics at Topkapı Palace Mu
